Guardian ranks horror's greatest practical special effects
Anne Billson counts down cinema's most iconic makeup and in-camera tricks, from silent-era vampires to The Exorcist.
What to know
- The Guardian ranks practical special effects from horror classics, arguing pre-CGI techniques created more impactful visuals than modern digital effects.
- The countdown spans from silent-era films (Nosferatu, The Phantom Carriage) to contemporary horror (The Ring), highlighting makeup, stop-motion, and in-camera trickery.
- At least one social media user expressed skepticism about the rankings or selections.
“The pea-coloured puke popularised the term 'projectile vomiting', and the deleted 'spider-walk' became legendary before its restitution. But the signature effect in William Friedkin's film is Linda Blair's 360-degree head rotation, an effect at once ludicrous and horrifying, thanks to Dick Smith and Marcel Verco…”
Anne Billson, Guardian film critic · The Guardian ↗
Anne Billson Guardian film criticHideo Nakata Japanese filmmaker
How it unfolded 2 developments, newest first · click a bar or a number to jump articlesposts
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Mastodon user reacts with skepticism to the rankings
A user on Mastodon shared the article with an expression of disbelief about the selections or rankings.
“You've gotta be fucking kidding…”
— xs4me2 -
X
“You’ve gotta be fucking kidding…” https://www. theguardian.com/film/2026/oct/ 29/exploding-heads-mutant-aliens-and-bursting-chests-horrors-greatest-special-effects-ranked?CMP=Share_iOSApp_Other
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Guardian publishes ranked guide to horror's greatest practical effects
Anne Billson's article surveys iconic moments in horror cinema emphasizing pre-CGI practical effects, from The Omen's beheading to The Birds' attic scene, with extended analysis of films including Nosferatu, The Invisible Man, Dr. Jekyll and Mr. Hyde, Eyes Without a Face, and The Exorcist.
“Towards the end of the 20th century, when film-makers' overreliance on CGI was increasingly making special effects less special, it took the old-school practical approach of Japanese film-maker Hideo Nakata to make one's hair stand on end.”
— Anne Billson, Guardian film critic · source
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3 outlets Exploding heads, mutant aliens and bursting chests: horror’s greatest special effects – ranked!
first by The Guardian, 14d ago · also Guardian Media, Guardian Culture