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CultureQuiet 9d · day 10

New Yorker Reviews Gleick's New History of the Telephone

Cal Revely-Calder appraises James Gleick's 'The Telephone: A New History,' tracing the device's dual legacy of intimacy and surveillance.

What to know

  • The review uses the 1943 CBS radio drama 'Sorry, Wrong Number' to illustrate the telephone's capacity for both intimacy and entrapment.
  • Gleick's book traces over a century of telephone marketing — from AT&T's 1909 'civilization' ads to Nokia's 'Connecting People' — that framed the device as purely positive.
  • The review argues this upbeat narrative obscures a parallel history of control embedded in the technology.

“civilization . . . one of the most powerful influences for broadening human intelligence.”

A.T.&T., 1909 advertisement · New Yorker ↗ · Nov 1

James Gleick Author of 'The Telephone: A New History'Cal Revely-Calder New Yorker reviewerA.T.&T. (Ma Bell) Historical telephone monopoly, subject of the bookAgnes Moorehead Actress in the 1943 radio drama cited in the review

New Yorker Reviews Gleick's New History of the Telephone
newyorker.com

How it unfolded 1 development · click the chart to see its coverage articlesposts

Peak 3 pieces in 3h at Nov 2, 5 AM; 5 pieces over 10 days (3 articles · 2 posts) Nov 2, 5 AM — 3 pieces · 2 articles · 1 post — Mastodon 2, Newswires 1Nov 2, 8 AM — quietNov 2, 11 AM — 1 piece · 1 article — Newswires 1Nov 2, 2 PM — quietNov 2, 5 PM — quietNov 2, 8 PM — quietNov 2, 11 PM — quietNov 3, 2 AM — quietNov 3, 5 AM — quietNov 3, 8 AM — quietNov 3, 11 AM — quietNov 3, 2 PM — quietNov 3, 5 PM — quietNov 3, 8 PM — quietNov 3, 11 PM — quietNov 4, 2 AM — quietNov 4, 5 AM — quietNov 4, 8 AM — quietNov 4, 11 AM — quietNov 4, 2 PM — quietNov 4, 5 PM — quietNov 4, 8 PM — quietNov 4, 11 PM — quietNov 5, 2 AM — quietNov 5, 5 AM — quietNov 5, 8 AM — quietNov 5, 11 AM — quietNov 5, 2 PM — quietNov 5, 5 PM — quietNov 5, 8 PM — quietNov 5, 11 PM — 1 piece · 1 post — Hacker News 1Nov 6, 2 AM — quietNov 6, 5 AM — quietNov 6, 8 AM — quietNov 6, 11 AM — quietNov 6, 2 PM — quietNov 6, 5 PM — quietNov 6, 8 PM — quietNov 6, 11 PM — quietNov 7, 2 AM — quietNov 7, 5 AM — quietNov 7, 8 AM — quietNov 7, 11 AM — quietNov 7, 2 PM — quietNov 7, 5 PM — quietNov 7, 8 PM — quietNov 7, 11 PM — quietNov 8, 2 AM — quietNov 8, 5 AM — quietNov 8, 8 AM — quietNov 8, 11 AM — quietNov 8, 2 PM — quietNov 8, 5 PM — quietNov 8, 8 PM — quietNov 8, 11 PM — quietNov 9, 2 AM — quietNov 9, 5 AM — quietNov 9, 8 AM — quietNov 9, 11 AM — quietNov 9, 2 PM — quietNov 9, 5 PM — quietNov 9, 8 PM — quietNov 9, 11 PM — quietYesterday, 2 AM — quietYesterday, 5 AM — quietYesterday, 8 AM — quietYesterday, 11 AM — quietYesterday, 2 PM — quietYesterday, 5 PM — quietYesterday, 8 PM — quietYesterday, 11 PM — quietToday, 2 AM — quietToday, 5 AM — quietToday, 8 AM — quietToday, 11 AM — quietToday, 2 PM — quietToday, 5 PM — quietToday, 8 PM — quiet 1
Nov 3Nov 4Nov 5Nov 6Nov 7Nov 8Nov 9yesterdaynow · 10:03 PM ET
  1. background

    New Yorker reposts full single-page version of the review — The New Yorker republished the same review under a 'currentPage=all' single-page URL, marked as new on its feed.

  2. 1
    “the greatest single radio script ever written…”
    — Orson Welles, Actor, praising 'Sorry, Wrong Number' · source
    1. first by New Yorker, 9d ago